(CLUB MUSIC PLAYING)
Got to have a Iittle perspective. So my dream girl has some baggage?
There's other dream girls. That cashier who stole my identity.
-Cashier who stole... -Remember that?
So, I think we're obligated to harness this power for our own personal gain.
Oz, there's no party tricks.
I'm not saying party tricks. I'm saying... What?
Read some girls' minds.
-ADRIANNA: I'm telling you, girl. -Hi.
-You got to do what you got to do. -I know.
OZ: PIay some Texas Hold 'Em, right?
What? No, no, done that.
OZ: You could help me find the future Mrs Bey.
TOBY: No.
OZ: I got it.
-Don't say it. -Two minutes.
-No, no, no, no. -I got it.
-You want me to go downstairs. -Yeah!
-No. You're not going to give up? -No, I'm not.
(SIGHS)
We'II come right back up here. She's not going anywhere.
(WOMEN CHEERING)
OZ: Come on. You've got to help me.
Oz, Oz, I... Listen, man, you can't tell anybody about this, okay?
Okay, I won't! But, come on,
when you have a friend who can actually read people's minds,
there are just certain things a brother's got to know.
Last time, I promise.
There's the girl of my dreams, right there.
I've been coming in here for weeks. I just got to be sure.
-Right. You think she Iikes you? -She flirts with me Iike crazy.
She's a bartender. That's what she does.
It's more than that, I know it. First round's on me.
Hey, Leslie! Couple beers, please.
Osman. Where've you been, cutie? I missed you.
LESLIE: Here we go. Another night of small talk.
Me and my boy Toby, there, are just getting into some trouble tonight.
Probably hit an after-hours. You interested?
(SIGHS) You know that I would.
But I've got to close, and I have an early pilates class tomorrow.
-Mmm. -Next time, though.
LESLIE: You better tip well for all the time I've spent.
-Thanks, sweetie. -Bye.
-OZ: Right, right? -Yeah.
-Come on. She's into me, right? -TOBY: She's totally into you.
She's totally into me.
She's got... She's got real baggage, though.
That's what I got. I wouldn't go there.
Baggage? You get all that from... From the...
That'II be $6, please.
-Baggage. -Really?
Yeah.
I've been Iooking for you.
-I'm Mina. -I'm Toby.
-What can I do for you, Toby? -Um...
Answer one question for me.
Shoot.
What's your favourite movie?
Princess Bride.
Okay, André the Giant. That's okay.
Favourite band?
Uh, you probably wouldn't know them.
-Try me. -The Replacements.
I have Pleased to Meet Me at home. On vinyl. You should hear it.
I would Iove to.
MAN: Hey, Mina!
TOBY: Who's that? A friend of yours?
No. Just one more thing I have to deal with.
Just don't go anywhere.
Man. Baggage everywhere tonight. It's Iike a baggage claim centre in here.
Hey, come on! It's Saturday night. It's not even midnight yet.
We should be out! We got this whole night...
Come dance with me.
I hope you dislocate something.
Hey, what happened to your friend there?
-He's gone. -Oh, good.
(CHUCKLES)
(HORNS HONKING)
(SPEAKING IN SPANISH)
My crib. Come. Follow me.
Come see where I live and play.
-It's a very nice place. -Yep.
The rent's kind of crazy, but it's got everything a girl needs.
Mmm.
-AC, a walk-in closet. -Fun, fun.
And most importantly, more wine.
Yummy. You have really, really great taste.
-You're really great for noticing. -I know!
And what is this?
That? Nothing. That's just...
It wasn't just one! It was three in a row.
Boring work stuff.
(SLOW ROMANTIC MUSIC PLAYING)
So, where were we?
We were right here somewhere.
(DOOR BELL BUZZING)
It's probably just a drunk neighbour who Iocked himself out.
(DOOR BELL BUZZING)
Sorry.
-What? -JASON ON INTERCOM: Mina!
-Go away, Jason. -JASON: You can't treat me like this!
Like what?
JASON: Just let me come up so we can work this out.
Not tonight, Jason.
(EXHALES)
Hey, do you want me to go take care of that?
No, I have to.
Do you ever feel Iike everything's coming down on you?
AII the time.
But you got to do the right thing,
-no matter how much it hurts, right? -Absolutely.
Toby, I've got some stuff I have to deal with
before I can get involved with anyone, you know?
Everything cool?
It will be.
I had a fantastic night.
Me, too.
Just give me a couple of days to work things out.
MINA: Then I'll be free. All yours.
-Have a good night. -Good night.
(DOOR SHUTS)
So, I don't understand. You just Ieft?
-The timing wasn't right. -The timing is always right.
I can't believe you can read this girl's mind and you still didn't seal the deal.
She's got a Iot on her mind and, you know what,
sometimes reading a girl's thoughts kind of ruins the mood.
-So don't Iisten. -I can't help it.
Sometimes intense thoughts kind of break through, even when I'm not trying.
Well, that sucks.
Yeah, well, Mina's got to deal with her ex, she's got my number, she's going to call me,
we're going to hang out and I'm going to have her undivided attention, you know?
-I still think you're... -I know what you think, Oz.
(PAGER BLEEPING)
AII times.
-10-90. King and Church. -King and Church?
(SIREN WAILING)
Too Iate, fellows.
Neighbour saw the body from upstairs and called it in.
(SIGHS)
(VOICES WHISPERING)
Perfect. Thank you.
Got a minute?
Uniform tells me you know the victim.
-Met her at a club Iast night. -And?
And we came back here. We had a few drinks.
-And? -And nothing.
We talked, we danced a Iittle, her ex showed up and I split.
-Her ex? You see him? -No.
-Get his name? -Jason.
Jason what?
-So, you didn't have sex? -No. We just met.
-So? -So, we didn't have sex.
-I'm gonna need some DNA from you. -Sure.
LIAM: Detective? CHARLIE: Dr Farrell, this way.
Don't go anywhere.
BRENDA: Oh, God.
Victim's a 26-year-old female, Mina Della Croce.
-Preliminary Iooks Iike she was... -I'm not here officially.
Mina's one of my pathologists.
-She works with Brenda and me. -I'm sorry.
LIAM: So, what are we Iooking at?
CHARLIE: We're not finished up yet, but there's bruising on the neck.
Petechial bleeding. Strangulation.
CHARLIE: Any thoughts? People who might be...
BRENDA: Mina, oh, God!
This is so horrible.
Brenda, you don't have to be here if you don't want to.
CHARLIE: When was the Iast time you saw Mina?
Uh, yesterday at the morgue. She Ieft around 6:00.
Did she say where she was going?
Mina didn't talk much about her private Iife.
Okay. Thank you. We can talk Iater.
Detective.
-I told you not to go anywhere. -I'm right here.
-Tell me about the boyfriend. -There is no more.
-What'd he Iook Iike? -I don't know.
I saw him for 10 seconds across a dark club.
You said he turned up at Mina's.
Yeah, and I said I didn't see him. They talked over the intercom.
-What time was that? -3:30, maybe 4:00.
-She buzz him in? -Not while I was there.
-Maybe Iater? -I don't know! I've no idea.
They said they needed to work things out.
-So, why did you Ieave? -'Cause she told me to.
-That's it, eh? -That's it.
You know where to find me.
-No, I should have stayed. -What?
She told me to Ieave, but I saw something in her thoughts,
something that wasn't right.
Yeah, you said she was fighting with her ex, right?
Yeah.
I mean, Iook, it's messed up, but this is not your fault.
-You didn't do anything. -I know.
But if I had stayed, maybe she'd still be alive.
Well, do something now. Help the cops.
What am I going to do?
I'm going to tell the cops that I saw what Mina was thinking?
Yeah, it's not gonna work.
So... It's easy. You just track down the ex-boyfriend,
you tune in, or whatever you do, and you find out why he killed her.
It doesn't work Iike that, you know.
I only hear what they're thinking when they think it. You know?
Someone's eating a good sandwich, that's all I get, really, good sandwich.
This is a really good sandwich.
But you knew that already. Yeah, okay.
(GASPING)
I got it.
Hi. You need help?
Okay, Iet me see this here.
Hey, you have a peanut allergy, eh? Yeah.
Muffins. That'II do it. Okay.
-Grab the gear. -Yeah.
Okay, try to stay calm. Seen one of these before?
This is going to clear your airways, okay? AII right.
Okay, just breathe. Just breathe.
Okay, what's your name?
-EIizabeth. -EIizabeth.
It's nice to meet you. I'm Osman.
You can call me Oz, if you Iike. The fact that we're having this conversation
means the epinephrine's working, so go team.
It figures. I thought I had my injector, but I must've forgot it.
I feel Iike... Like such an idiot.
OZ: It's okay, it's okay. Accidents happen.
Okay, now you may experience some sweating, palpitations and nausea.
That's okay, don't worry, I have that effect on most women.
Now, why don't you Iet us take you in and get you checked out?
That's my ride over there. Okay?
-Sounds good. -Okay. There you go. Good.
No more muffins. Okay.
-Hey. -Hey.
I just saw Oz. He's in a good mood.
Oh, yeah. He's in a great mood.
He was playing knight in shining armour with a peanut allergy.
Let me guess. She's cute and tall.
Four or five inches taller than him. It's ridiculous.
You got to admire a guy who knows what he wants.
That's what I hear.
So, I hear you were with Mina Iast night.
Yeah.
You know her?
Just by phone. We talk to the morgue all the time.
-It's terrible. -Yeah.
Did you know her very Iong?
Yeah, Iong enough for the cops to make me a suspect.
-You're kidding. -I had to give them my DNA.
-Oh, my God. -Well, you know.
It's not surprising. I met her at a club and I went back to her place...
Do I want to hear more?
Liv, nothing happened. I talked to her and I Ieft. That was it.
Did she ever mention a boyfriend?
We only talked business. Why?
Well, I think she was having problems with a guy.
OLIVIA: And you blame yourself for not protecting her.
She never mentioned anything. Sorry.
Yeah, it's all right. Thank you, thank you. Good to see you.
-It's not your fault, you know. -I know.
(MUSIC PLAYING ON HEADPHONES)
(WOMAN CHATTERING ON PA)
OZ: Hey!
Osman. Hey.
Hey. These are for you.
-Injectors. -Yeah!
You know, I figure this way you have one in every room of the house.
In your kitchen, or your bathroom, or your bustier.
I think you mean boudoir.
What did I say?
That's very sweet of you. Thanks.
(EXHALES) Yeah. So, no visitors?
My family's in Pennsylvania.
You don't have a... Your boyfriend? Or your husband didn't show up, or...
I just transferred from New York. I'm the VP of A&R at BCY Records.
Oh, cool. Wow!
A&R.
-You don't know what that is, do you? -No.
"Artists and repertoire."
I oversee all the execs at a big record company.
You do music? That's cool! Yeah, me, too.
I mean, not, Iike, professionally.
Me and my cousins, we noodle around. I play the oud.
Osman, did you come here to ask me out?
(STAMMERING) No, no, no. I wouldn't... That's...
That would... That would be unprofessional.
Because if you did, I would say yes.
Oh! Okay.
Look, I don't know what the rules are about this
and I don't want to get you in trouble,
so why don't I give you my number and, if you feel Iike it, you can call me.
And that way I can take you out for a drink and thank you for saving my Iife.
Okay.
Yeah. That works. Sure.
-Here. Take that. -Thanks.
There you go.
CHARLIE: So, she never mentioned a boyfriend?
LIAM: If she had one, she never talked about him.
-CHARLIE: Family? -Pretty much a blank there, too.
AII right, we'II check. How Iong before you get the DNA?
I'm expediting the STR analysis, so soon, I hope.
Okay. Thank you.
-Hey there. -ADRIANA: Hey.
Hi. I'm Toby Logan. I was here the other night.
Yeah, Saturday. You hooked up with Mina.
Adrianna. Nice to meet you.
-Uh, you're friends with Mina, right? -Yeah, yeah. We hang out.
-You know her friend Jason? -Jason Cullen.
JASON: Babe, I really think you should reconsider this.
-PIease! I can't Iet you go. -MINA: Get off me!
JASON: I just want to talk.
Yeah. I think she's busting that party.
-Cullen. He's tall, dark hair. -Yeah, that's him.
Don't Iet him creep you out. He's a bit of a freak.
Yeah, you know where I can find him? Phone number? Anything?
I'm sorry. He's not on my radar. I'm not really sure what Mina saw in him.
But Iisten, if you're interested in Mina, go for it.
You haven't heard.
Heard what?
Yeah, this is a message for Detective Marks. It's Toby Logan.
I know the Iast name of Mina's boyfriend. Thanks.
Jason Cullen. Police! We have a warrant.
Detective, heads up!
Got it.
(GRUNTING)
(JASON PANTING)
Stop!
(SIREN WAILING)
CHARLIE: So, why'd you run, Jason?
I read about Mina's murder. I know it Iooks bad for me.
Right! Your sexual assault charges in Hamilton.
-With the not-guilty verdict. -Yeah.
-Hey, do I know you? -I don't think so.
Focus, Jason. You have an assault arrest and Mina's dead.
-I didn't kill her. -CHARLIE: She was your girlfriend.
JASON: She was a friend. CHARLIE: She was strangled,
and we have your DNA.
Go home! Get out! How did you even get up here?
-You go to her place? -What?
(CHOKING) (JASON GRUNTING)
-Grab her by the throat? -Excuse me?
MINA: Let go of me!
Hey. Toby! Back off.
CHARLIE: You want to get in front of this, Jason, now's the time.
Okay, okay. I can explain.
Yes, I was at her place and, yes, we had an argument.
She broke up with me at the club for some guy.
I went to her place and the guy was obviously there.
So, you had an argument with her 'cause she was talking to another guy?
-No. -What, then?
-We had issues. -CHARLIE: What kind of issues?
Relationship issues. Everybody has them, yeah?
Not everybody winds up dead.
AII I did was shove her onto the bed.
MINA: You call me at 5:00 in the morning? Let go of me! Let go of me!
JASON: Who was the guy?
-Get out! Get out of my apartment! -JASON: Fine, I will!
I had enough, so I left.
I swear she was alive.
OLIVIA: Sorry, Detective. You can have him back after I check him.
Okay. Thank you.
Oz? Can I have a hand here?
Yeah. Hey.
-What the hell was that? -So you still think I did it?
What makes you think I'm Iooking at you as a suspect?
-Well, are you? -Not as much as yesterday.
You know, I think you're completely wrong about this Jason Cullen guy.
You mean Jason Cullen, the guy with the history of sexual assault?
-Yeah, doesn't make him a killer. -So, what does it make him?
See, I don't know. I'm not a cop.
You know, when I saw him with her that night,
I heard his voice and he wasn't talking murder.
I'II bet you your badge he didn't strangle her.
Strangulation is the cause of death.
Jason Cullen swears Mina was alive when he Ieft her.
Is it possible we're missing something?
Like what?
I don't know. Some alternative to strangulation, maybe?
Well, it's possible.
Well, Iet's say she had a pre-existing condition.
Like?
Well, sometimes an artery in the neck is twisted.
It's a birth defect, not uncommon.
Mina had it.
LIAM: She did? BRENDA: In the carotid artery.
I'm sorry. I saw it, but I didn't think it was relevant.
Well, it wouldn't be, unless she had arterial plaque.
It could have dislodged when he grabbed her neck.
When the plaque gets to the brain, it could then trigger cerebral ischemia,
which would enlarge the brain
and then shut down the Iungs, making it seem Iike strangulation.
So when Cullen Ieft, Mina could have been alive?
LIAM: Pinpointing the time of death closely is hard,
but it's possible that Mina's death
could have occurred after Cullen Ieft.
Oh, you... What? Who's that from, that note?
-It's EIizabeth. -EIizabeth.
-The peanut Iady. -Oh, yeah.
-She gave me her number. -That's good.
Are you going to give her a call?
I don't know. I want to, it's just a Iittle... It's weird.
-How is that weird? I don't... -I don't know. Don't read my mind.
-I'm not going to read your mind! -Yeah, you are.
You think I know why I'm not going to call her,
and you're going to do the Iittle Jedi mind trick thing and...
Hey, Iisten. If you don't want to call a girl...
I want to. I just don't want to.
RYDER: Mr Bey!
Are we in trouble here?
RYDER: Mr Bey!
You have a visitor.
-Hey, Osman. -Speak of the devil.
Hey!
Your boss was nice enough to Iet me bring you these.
-Thanks! -My pleasure.
I just wanted to thank you. You know, for saving my Iife.
Wow! Thanks, Liz.
Oh, that's nice.
-It's a box full of oranges. -Well, I didn't know what to get you,
and I figured, "Who doesn't Iike oranges?"
It's a dumb gift, right?
No, no. It's great, it's great! I don't eat enough oranges.
Oh, and I also got you these from work.
I didn't know exactly what you'd Iike, so there's a Iittle bit of everything.
-Oh, wow! -Yeah.
Cool! I can Iisten to these while I make juice.
Okay! Speaking of work, I should get back. I'II see you soon.
Okay, yeah.
AII right, yeah. Give her a call.
(EXHALES) My first wife was crazy, too.
No, Mr Ryder, she's not crazy. She's in Iove.
-They all are at first. -And then what happens?
Three kids, a mortgage and a minivan in the driveway.
In a nutshell, Mr Bey, the rest of your Iife.
He's happy with his Iife choices.
(MOUTHING)
Maybe he doesn't get enough vitamin C.
Hey!
I could totally remedy that situation, right here.
Come, follow me! Come and see where I live and play.
TOBY: See, this is Mina in her apartment.
It's Iike you were shooting a documentary.
Yeah, it's just a video I took on my phone.
We were having a good time.
A walk-in closet.
And most importantly, more wine.
What's this?
Well, it's part of my process. I just...
I clip images and I try to sort them out in my head.
That's what's going on in there?
Not exactly, but it's the closest I can get.
People's thoughts, they're all mixed up, you know?
So, I try to pull images from different places and sort them out.
That's crazy. But good crazy. I mean, this is pretty cool stuff.
-Is that the boyfriend? -Yeah, it's Jason Cullen.
-He didn't do it. -You sure?
Yeah, I'm as sure as I can be.
In the ambulance, I got a hit off what he was thinking that night.
-When he Ieft, Mina was still alive. -Hmm.
OZ: Who's this guy? TOBY: I don't know.
She couldn't stop thinking about him that night.
Maybe a family member? Sugar daddy, maybe?
TOBY: No, I don't think so.
OZ: Man, you pasted this guy together, Iike, 20 times. It's creepy.
I know. Kept nagging at her.
That? Nothing.
It's just boring work stuff.
-I can't shake it. -Maybe you should try to find him.
I mean, if Cullen doesn't know what happened to Mina,
this guy just might.
Hey. Is there anything new on Mina?
Is that your way of rubbing it in?
-What are you talking about? -I don't know how you figured it out,
but the coroner backed you up.
Mina died of a pre-existing condition.
And, yes, we're still going to charge Jason Cullen with manslaughter charges.
-So if you're happy now, go away. -No. Cullen didn't do it.
Toby, I don't need this.
And you don't need me and my boss in your face right now.
-What did I do to you? -You walked through the door.
-Yeah, I want to talk to you. -About what?
I want to show you this.
Something that your three-year-old nephew pasted together?
That's really funny. I don't have a nephew.
No, this is a collage of a guy I saw outside Mina's apartment.
The night that she was murdered? You saw this guy outside the apartment?
Yeah. Well, he Iooks a Iot Iike this.
His face, his eyes, they're all very similar to this.
Yeah, I get it. So?
So, you should Iook for this guy. Maybe he's the killer.
Because he was outside of her apartment?
Yeah. Maybe.
Toby, did you see him coming out of the apartment?
Did he Iook nervous?
-Was he trying to flee the scene? -No.
Then don't waste my time and Iet me do my job.
Not even close.
What's your boy toy want?
He said he saw somebody outside the dead girl's apartment
-the night that she died. -Well, that's convenient.
He even brings his own suspects. Get the guy a badge.
-You don't think Toby... -Toby?
He's not a killer. He's given us some good information.
Why?
Does he just get off on being a super sleuth, is that it?
-Or is there something else? -Like what?
I don't know. I don't know.
Like maybe he's a death groupie or something, and he's...
Maybe he's just helping this stuff along. You know, he's always a step ahead of us.
Look, Toby's not a killer.
And he's certainly not setting up any crimes.
AII right. Well, then, you better ask yourself, what the hell is he?
(GRUNTING)
(COUGHS)
Okay, this thing is useless. I give up.
TOBY: Uh, I'm thinking we might have to go back up the stairs, here.
GARY: What do you mean, "Up the stairs"?
He means, sir, we can't clear the Ianding,
so we're going to have to go back up and try again.
-You guys do this for a Iiving? -OZ: On three.
-TOBY: Right. -One, two, three...
(BOTH GRUNTING)
-Okay. -That was impressive.
TOBY: (GROANS) Thank you. AII right. Take five.
Take five? I could be paralysed here, for God's sake.
Sir, we don't think it's anything more than a mild back strain.
You'II be fine.
(SIGHS)
-So, no Iuck with the old guy? -TOBY: No.
I mean, I'm thinking there's got to be a way to identify this guy.
Something. Something.
(CELL PHONE BEEPING)
-It's a text from Liz. -Yeah? You gonna call her?
I don't know. She... She seems to really Iike me.
-That's a problem? -Yes, that's a problem.
Normally, the way it works, I meet a girl, we exchange numbers.
Nobody calls, you pretend you don't Iike each other.
It's a delicate dance. This girl? There's no games.
She's hot, she's smart, she wears really high heels.
-She freaks you out. -Yeah, yeah.
-She's... She's Iike an actual woman. -Woman.
GARY: Maybe she's freaked out, too.
Maybe you need to reflect on a future with someone that's
transgressed your normal patina.
And this guy you're trying to ID? Have you run him through the cop database?
I mean you're EMS guys, for God's sake. You must have some connections.
Now, take me the hell to the hospital.
-Stolarski. -OZ: Stolarski.
-Yeah. -OZ: Yeah.
"Transgressed my normal patina"? What the hell's a patina?
TOBY: Like clockwork. OZ: That's what you better be.
He has a beef soup and chats, chat time varies.
AII right, so go in, go get a beef soup and slow him down.
Oh, no. He's terrifying. You're on your own.
Thanks.
OZ: Hey, if he catches you, can I have your Ioft?
TOBY: You're always Iooking out for me, huh?
I Iove you!
(INAUDIBLE)
Are you a cop? 'Cause that's not a cop's uniform.
I'm undercover, all right, kid? Get out of here.
BOY: Uh, pretty stupid to be undercover in a police car.
We work in teams. One undercover, one uniform.
You see my partner in there?
Who's that?
TOBY: George Arthur Worthy.
BOY: Is he a bad guy?
Actually, he's a dead guy.
BOY: Cool.
TOBY: Died a month ago.
Hey, dude, here comes your partner.
-Did you find the guy? -Yeah, he's dead.
-He's dead? -Yeah. He died a month ago.
Well, Mina worked with stiffs, right?
Yeah, but the name, Worthy. Have you seen that? Worthy.
Remember that from... Worthy.
-Oz, you're brilliant! -I am?
Mina... I made this Iittle video of Mina.
What?
There it is. Worthy. See that?
TOBY: And what is this stuff here?
-Let's get to Mina's. -What for?
Mina was on to something. We got to find out what it was.
OZ: AII right.
Wouldn't the cops have checked these files?
Yeah, but they wouldn't have known what they were Iooking at.
Here. George Arthur Worthy.
Autopsy says cause of death was multiple organ failure
brought on by CIass IV congestive heart failure.
-So? -So, this must be Mina's handwriting.
Looks Iike she was questioning the autopsy results.
-Signed by Liam Farrell, head pathologist. -Great, Iet's go.
Wait, wait. Hang on, hang on. Stephen Cash. Sandra Lemon.
Looks Iike they've all got her handwriting on it.
We don't have time to go through all those.
I'm bringing these with me.
OZ: It's not that I object to going to jail,
I'd just Iike to enjoy the act that got me there.
TOBY: Get that out of my face.
-Toby? -Hey, Liv. How are you?
Should I even ask?
Well, I'm just updating some EMS files.
Oh, yeah.
Who is George Worthy and why are you Iooking at his file?
AII right. EMS brought him in about a month ago with heart problems.
His autopsy said he had CIass IV congestive heart failure.
-Right. -Right.
So, CIass IV means you're almost going to die, right?
Yeah.
Well, his medical file says that he was nowhere near that sick.
OLIVIA: Let me see.
Yeah, actually, you're right.
At worst this guy was a two.
-What does that mean? What is it? -Easily treatable.
Okay, so his autopsy's wrong. Take a Iook at this.
-What autopsy? -Here.
-Whose notes are these? -These are Mina's.
She thought the mistakes were deliberate.
Well, Iooks Iike she might have been on to something.
Really?
Looks Iike she might have actually found the real cause of death.
-What was that? -Medical error.
They gave this guy a dye test and didn't prep him properly
and the kidneys overloaded.
He died and the autopsy makes no mention of it.
-Is that an accident? -No.
-Yeah? -There's no way.
And it's signed by Liam Farrell.
Okay. AII right.
Mina was one of my pathologists.
Do you have any idea how big this is?
We're talking about a cover-up at a major government agency.
If there are any more cases Iike this...
Well, there are. Mina was about to blow the whistle.
Somebody tried to shut her up.
Hey, I know why Mina was killed.
IIIegal access to police files from a patrol car?
Break and entry at a crime scene?
No. She found out about these autopsies. They're total fiction.
-That's a serious thing to say. -I'm told all three are fakes.
They could be hiding anything, including murder.
Mina knew about this?
She was about to turn him in before she was killed.
-Turn who in? -Her boss, Liam Farrell.
His name's on every one of those.
-CHARLIE: How far does this go? -(SIGHS) What do you mean?
Well, we have three fake autopsies. How many more are there?
I'm not sure.
Had to be enough worth killing Mina over.
This is ridiculous. Why would I kill her?
Protecting the other doctors?
They're good people.
They don't deserve to be ruined, but murder?
No. What you've done
is allow those doctors who made those mistakes
to keep on making them and kill more patients.
Look, I told you, I will confess to the cover-ups, to the tampering...
Oh, no. We don't need you to confess, we already have our case.
What you can do is tell us how you killed Mina.
I didn't.
You had motive. She would have ruined you.
I would never have killed her.
Right.
You're under arrest for evidence tampering.
-Toby! What are you still doing here? -Hey! Did he confess?
Not to the murder, but we'II nail him.
LIAM: Poor Mina. Who could have done this?
CHARLIE: Listen, Toby, I guess I should admit that you were right. I...
LIAM: My kids don't know where I am.
-What am I going to do? -CHARLIE: Toby?
-Toby? -Yeah?
-I just wanted to say you were right. -You're wrong.
-I'm what? -I mean, I was wrong. He didn't do it.
-I've had enough of this. -No, please, wait, okay?
Just get a second autopsy.
What for?
Trust me.
(KNOCK ON DOOR)
Hey.
-What's this all about? -I don't know.
I was just told to pick up Mina Della Croce's body.
Something about another autopsy.
No. You can't take her.
I just prepped her for the funeral home.
Sorry. Something about an independent examination.
Apparently they're Iooking for another wound at the back of the head.
-No. -They want to check it out.
-There was nothing. I checked. -Well, I'm going to have to take her.
Wait. Do you have any paperwork for this?
-I think it was faxed earlier. -I never got it.
Well, that's not my problem. I'm sorry.
No! No, you can't take her. PIease don't.
PIease don't.
I'II Iose everything.
What do you mean?
I never meant to hurt her.
Get the hell out of my apartment!
So it was an accident?
Yes.
You think they're going to believe it?
They have to. I... I never meant to hurt her.
I just pushed her. That's all.
And she fell.
And hit her head. I... I didn't want for her to...
I just wanted for her to stop.
Stop what?
Stop what, Brenda?
MINA: You're lying. It's not a mistake.
You signed off on these false autopsies. You Iied.
-I have done nothing... -MINA: These are not mistakes!
Brenda, did you know about this? I'm not Ieaving anyone out of this!
Mina was going to expose your boss.
Liam's a great man and she would have destroyed him.
I only did this to protect him.
CHARLIE: Come on.
(SOBBING)
Nice play.
(CLUB MUSIC PLAYING)
(INAUDIBLE)
(EXHALES) Poor girl. Does not know what she's missing.
Hey, what about her? See that girl dancing right there?
She was totally checking me out earlier.
You should use your Iittle mojo and see if she Iikes me.
Last time, I promise!
-She's not your type, brother. -You can hear that from here?
No, I can see it.
Wait a minute, though.
Wait a minute. I'm getting a... I'm getting a hit here.
There's a... There's a chick here who's really into the Osman, man.
Yeah.
EIizabeth, you came.
I got your message. Hey.
-I thought I took too Iong to call you back. -ELIZABETH: It's okay, Oz.
I think it'II be worth the wait. I hope you've been eating all your oranges.
You're gonna need the energy.
(CHUCKLING) I'm going to need the energy. From the oranges.