1
00:00:02,002 --> 00:00:04,147
Yeah. Everything. It's all
good. It's all good. Phyllis.

2
00:00:04,171 --> 00:00:05,214
Dancing babies.

3
00:00:05,297 --> 00:00:06,798
Dancing babies. Iloveitlloveit

4
00:00:06,882 --> 00:00:10,010
Michael: We are making a
commercial for dunder Mifflin today,

5
00:00:10,093 --> 00:00:11,428
our first ad ever.

6
00:00:11,803 --> 00:00:14,014
Corporate purchased
some airtime in local markets

7
00:00:14,097 --> 00:00:15,950
to spread the word
about dunder Mifflin infinity,

8
00:00:15,974 --> 00:00:19,478
and they are even sending
up a professional ad company

9
00:00:19,561 --> 00:00:23,899
to help us make it later.
So it's not too shabby.

10
00:00:24,483 --> 00:00:25,984
Best ad ever?

11
00:00:26,068 --> 00:00:29,154
(Singing) Give me a
break, give me a break

12
00:00:29,238 --> 00:00:31,532
break me off a piece of that

13
00:00:34,493 --> 00:00:37,496
I am totally blanking.
What is the thing?

14
00:00:37,579 --> 00:00:38,747
Nobody tell him.

15
00:00:38,830 --> 00:00:40,541
What? No. Why?

16
00:00:40,624 --> 00:00:41,959
You got it. You're so close.

17
00:00:42,042 --> 00:00:44,044
(Singing) Break
me off a piece of that

18
00:00:44,127 --> 00:00:45,128
(snapping fingers)

19
00:00:47,005 --> 00:00:48,298
Applesauce

20
00:00:48,382 --> 00:00:50,884
"break me off a piece of that
applesauce." I don't think so.

21
00:00:50,968 --> 00:00:52,761
(Singing) A piece
of that Chrysler car

22
00:00:52,844 --> 00:00:53,887
nope.

23
00:00:53,971 --> 00:00:55,138
(Singing) Football cream

24
00:00:55,222 --> 00:00:56,765
(grunts) Okay.
It's football cream.

25
00:00:56,848 --> 00:00:59,560
It's football cream. All
right, so, anybody else?

26
00:00:59,643 --> 00:01:02,938
I'm taking a computer animation
class, so I can try to do a logo.

27
00:01:03,021 --> 00:01:04,064
Look at that.

28
00:01:04,147 --> 00:01:07,526
Even the receptionist is getting in on
the creativity. Very good. Very good.

29
00:01:07,693 --> 00:01:08,860
Hello. Hello.

30
00:01:08,944 --> 00:01:10,255
Hey. How you doing?
Michael Scott.

31
00:01:10,279 --> 00:01:11,506
Hey, Michael. Regional manager.

32
00:01:11,530 --> 00:01:13,299
Hi, Michael. Nice to meet
you. Excited to talk ideas.

33
00:01:13,323 --> 00:01:14,443
Us, too, man. You know what,

34
00:01:14,491 --> 00:01:17,703
I want this to be cutting
edge. I want it to be fast.

35
00:01:17,786 --> 00:01:21,248
Quick cuts, you know?
Youthful, sort of a

36
00:01:21,331 --> 00:01:22,583
mtv-on-crack kind of thing.

37
00:01:22,666 --> 00:01:23,709
That sounds great.

38
00:01:23,792 --> 00:01:26,211
All right. Good. Well, this is
what we have to work with.

39
00:01:26,295 --> 00:01:29,965
I would like you to meet
Andrew Bernard, the nard dog.

40
00:01:30,048 --> 00:01:31,633
Who let the nard dog out?

41
00:01:31,758 --> 00:01:33,218
(Barking)

42
00:01:33,302 --> 00:01:35,345
He gives the best
back rubs in the office.

43
00:01:35,429 --> 00:01:38,348
That's true, I give a mean back
rub. Also do good aromatherapy.

44
00:01:38,432 --> 00:01:39,433
(Razzes)

45
00:01:40,309 --> 00:01:42,185
You just got nard-dogged!

46
00:01:42,269 --> 00:01:47,482
Now, this gentleman right
here is the key to our urban vibe.

47
00:01:47,858 --> 00:01:50,652
Urban? Igrew up in a small town.

48
00:01:50,736 --> 00:01:52,946
What about me
seems urban to you?

49
00:01:53,030 --> 00:01:54,114
Stanley is hilarious.

50
00:01:54,197 --> 00:01:56,992
Phyllis is like
our Mrs. Butterworth.

51
00:01:57,075 --> 00:01:59,161
Kind of a less
urban aunt jemima.

52
00:02:00,621 --> 00:02:02,748
These are our accountants.

53
00:02:02,831 --> 00:02:07,669
And as you can see, they
are very different sizes.

54
00:02:07,753 --> 00:02:10,380
What you might
want to do is kind of

55
00:02:10,464 --> 00:02:13,467
a papa bear, mama
bear, baby bear thing.

56
00:02:13,550 --> 00:02:14,635
That might be kind of fun.

57
00:02:14,718 --> 00:02:15,844
Mama bear.

58
00:02:15,927 --> 00:02:16,928
Michael: Who else?

59
00:02:17,054 --> 00:02:19,348
I think it's great that the
company's making a commercial,

60
00:02:19,431 --> 00:02:22,559
because not very many
people have heard of us.

61
00:02:22,643 --> 00:02:24,936
I mean, when I tell people
that iwork at dunder Mifflin,

62
00:02:25,020 --> 00:02:30,692
they think that we sell mufflers
or muffins or mittens or...

63
00:02:31,818 --> 00:02:35,447
And frankly all of those sound
better than paper, so I let it slide.

64
00:03:14,361 --> 00:03:15,737
You playing that game again?

65
00:03:15,821 --> 00:03:20,242
Second life is not a game. It is
a multi-user virtual environment.

66
00:03:20,325 --> 00:03:22,119
It doesn't have
points or scores.

67
00:03:22,202 --> 00:03:23,870
It doesn't have
winners or losers.

68
00:03:23,954 --> 00:03:25,330
Oh, it has losers.

69
00:03:25,580 --> 00:03:28,500
I signed up for second
life about a year ago.

70
00:03:28,583 --> 00:03:31,920
Back then, my life was so great
that I literally wanted a second one.

71
00:03:32,003 --> 00:03:34,881
In my second life,
I was also a paper salesman

72
00:03:34,965 --> 00:03:36,800
and I was also named Dwight.

73
00:03:36,883 --> 00:03:38,677
Absolutely everything
was the same.

74
00:03:39,428 --> 00:03:41,179
Except I could fly.

75
00:03:41,555 --> 00:03:45,308
Little girl in a field
holding a flower.

76
00:03:45,434 --> 00:03:49,062
We zoom back to find
that she's in the desert

77
00:03:50,063 --> 00:03:51,815
and the field is an oasis.

78
00:03:51,898 --> 00:03:53,900
We zoom back further,

79
00:03:53,984 --> 00:03:58,822
the desert is a sandbox in
the world's largest resort hotel.

80
00:03:58,905 --> 00:04:03,827
Zoom back further, the hotel
is actually the playground

81
00:04:04,578 --> 00:04:06,830
of the world's largest prison.

82
00:04:07,289 --> 00:04:08,999
Okay, but we
zoom back further...

83
00:04:09,082 --> 00:04:10,518
I can tell that your
time is valuable...

84
00:04:10,542 --> 00:04:11,960
Actually,

85
00:04:12,127 --> 00:04:14,254
I don't get paid by the hour
anymore, but thank you.

86
00:04:14,337 --> 00:04:16,047
I get paid by the year.

87
00:04:16,131 --> 00:04:18,216
That all sounds really,
really ambitious. So...

88
00:04:18,300 --> 00:04:19,551
Yeah. I know.

89
00:04:19,634 --> 00:04:22,012
Why don't we show you what
we did with the nashua branch?

90
00:04:22,095 --> 00:04:23,096
Mmm...

91
00:04:23,722 --> 00:04:24,806
Okay.

92
00:04:25,307 --> 00:04:28,101
(Music playing)

93
00:04:56,379 --> 00:04:58,048
That's what nashua came up with?

94
00:04:58,131 --> 00:05:00,175
That sucks. Wow.

95
00:05:01,009 --> 00:05:02,677
That's what we came up with.

96
00:05:02,761 --> 00:05:04,179
Well, we can do
better than that.

97
00:05:04,262 --> 00:05:06,532
Well, the main part of the ad
has to stay the same, actually.

98
00:05:06,556 --> 00:05:09,851
Yeah, it's the last five seconds
where we have some leeway.

99
00:05:11,311 --> 00:05:12,813
The waving?

100
00:05:12,896 --> 00:05:15,333
Well, no, no. You don't have to be
waving. That was just what they did.

101
00:05:15,357 --> 00:05:17,108
You guys can be clapping

102
00:05:17,192 --> 00:05:20,111
orsnfing, standing
outside, inside, whatever.

103
00:05:20,195 --> 00:05:22,697
And this is where you
really get to be creative.

104
00:05:23,448 --> 00:05:28,453
I need some advice. I've been spending a
lot of time making out with Angela lately.

105
00:05:28,537 --> 00:05:32,082
We've been necking.
But only necking. Right?

106
00:05:32,165 --> 00:05:36,419
Not actually kissing our mouths.

107
00:05:36,503 --> 00:05:38,380
Just neck on neck.

108
00:05:38,463 --> 00:05:42,801
It's just like rubbing/nuzzling
our necks together.

109
00:05:42,884 --> 00:05:46,221
It's hot. I'm not gonna lie
to you, but it's a little weird.

110
00:05:46,304 --> 00:05:48,473
But you seem like
a guy with answers.

111
00:05:48,557 --> 00:05:51,852
So how do I fast track
this, get to first base?

112
00:05:51,935 --> 00:05:54,229
We cannot talk about this,

113
00:05:55,397 --> 00:05:58,942
because someone might hear us.

114
00:06:00,277 --> 00:06:02,153
We'll use code names.

115
00:06:03,238 --> 00:06:08,159
Angela can stay the same,
but we'll change Andy to Dwight.

116
00:06:09,911 --> 00:06:12,038
That's not different enough.

117
00:06:13,248 --> 00:06:14,416
Dwike?

118
00:06:17,836 --> 00:06:19,963
You have a call
from Eddie Murphy.

119
00:06:25,176 --> 00:06:26,261
Hello.

120
00:06:26,344 --> 00:06:28,865
Michael imita ting Eddie Murphy on
speakerphone: Shrek. Shrek. I'm a donkey.

121
00:06:28,889 --> 00:06:30,307
I'm a donkey, Shrek.

122
00:06:30,682 --> 00:06:31,683
(Giggling)

123
00:06:31,850 --> 00:06:35,020
I'm just kidding.
It's me. Hello, ry.

124
00:06:35,520 --> 00:06:37,647
What? Okay, calm down.

125
00:06:37,731 --> 00:06:39,024
I just have a small problem.

126
00:06:39,107 --> 00:06:40,877
Ryan: I told you not to
call about small problems.

127
00:06:40,901 --> 00:06:43,278
Yeah. Well, when I
call about big problems,

128
00:06:43,361 --> 00:06:46,656
you don't like that either,
so make up your mind, kiddo.

129
00:06:46,740 --> 00:06:52,621
Here is the deal, the ad guys that
you sent are locking me in a creative box

130
00:06:52,704 --> 00:06:54,748
and sort of ignoring my ideas.

131
00:06:54,831 --> 00:06:56,750
That's good. They're
creative. You're not.

132
00:06:57,542 --> 00:06:59,252
I'm creative, Ryan.

133
00:06:59,336 --> 00:07:00,795
It's not part of your job.

134
00:07:00,879 --> 00:07:02,380
It's, like, maybe you can cook,

135
00:07:02,464 --> 00:07:04,925
but that doesn't mean you
should start a restaurant.

136
00:07:05,008 --> 00:07:07,427
Well, actually I can't cook
and I am starting a restaurant,

137
00:07:07,510 --> 00:07:09,137
Mike's cereal shack.

138
00:07:09,596 --> 00:07:13,141
I'm thinking we 7! Have as many
varieties as you can buy in the store.

139
00:07:13,224 --> 00:07:15,184
Okay. I'm not really
interested in that right now.

140
00:07:15,226 --> 00:07:17,896
I'm delegating creativity
to creative professionals.

141
00:07:17,979 --> 00:07:19,147
It's a different skill set.

142
00:07:19,230 --> 00:07:21,149
Look, lwasnt good
at sales, right? Yeah!

143
00:07:21,232 --> 00:07:23,193
But I'm good at managing
people who do sales.

144
00:07:23,276 --> 00:07:26,529
Are you? I don't think you're
doing such a great job here,

145
00:07:26,613 --> 00:07:28,990
suppressing ideas
and creativity.

146
00:07:29,783 --> 00:07:32,744
All right, let me ask you this.
Tell me if you think this is creative.

147
00:07:32,827 --> 00:07:34,454
When I was five,

148
00:07:34,996 --> 00:07:39,042
I imagined that there was
such a thing as a unicorn.

149
00:07:39,626 --> 00:07:44,005
And this was before I had
even heard of one or seen one.

150
00:07:44,089 --> 00:07:47,842
I just drew a picture of a horse

151
00:07:47,926 --> 00:07:52,305
that could fly over rainbows
and had a huge spike in its head.

152
00:07:53,348 --> 00:07:55,725
I was five, five years old.

153
00:07:57,310 --> 00:07:58,895
Couldn't even talk yet.

154
00:08:00,981 --> 00:08:05,777
Hey, guys. You know what?
We cannot shoot this ad today.

155
00:08:06,820 --> 00:08:08,113
Okay, when should we come back?

156
00:08:08,196 --> 00:08:11,282
How about
never-hundred hours, sir?

157
00:08:12,200 --> 00:08:13,469
Wait, we were
sent here to help...

158
00:08:13,493 --> 00:08:15,161
I'm not gonna
argue with this guy.

159
00:08:15,245 --> 00:08:16,413
Let's go.

160
00:08:16,496 --> 00:08:17,747
Good luck, dude. Hey, thanks.

161
00:08:17,831 --> 00:08:19,040
Thank you. Thank you.

162
00:08:19,124 --> 00:08:20,542
Da vid: Michael, David Wallace.

163
00:08:20,625 --> 00:08:23,003
What is this about
dismissing the ad people?

164
00:08:23,086 --> 00:08:26,840
Yeah. I'm glad you called.
Ryan is being a little bitch again.

165
00:08:26,923 --> 00:08:28,049
Ryan: I'm on, Michael.

166
00:08:28,133 --> 00:08:30,010
What's up, my brother?

167
00:08:30,260 --> 00:08:34,764
Listen, David, I would
like to do this ad in-house.

168
00:08:34,848 --> 00:08:39,811
I want to use only the creativity
that we have right here in the office,

169
00:08:39,894 --> 00:08:42,105
and I will send it to
you tomorrow morning.

170
00:08:42,188 --> 00:08:45,442
Take a look at it. If you do
not think that it's ready to air,

171
00:08:45,525 --> 00:08:48,111
send the ad agency
back down here

172
00:08:48,194 --> 00:08:50,530
and we'll do it on my dime.

173
00:08:51,990 --> 00:08:53,283
Da vid: This is weird.

174
00:08:53,366 --> 00:08:56,494
I'm willing to stake
my entire reputation on it.

175
00:08:57,203 --> 00:08:59,998
Okay. I'll see you tomorrow.

176
00:09:00,081 --> 00:09:01,291
Okay. Okay.

177
00:09:03,084 --> 00:09:07,088
And thus Michael Scott
sealed his own destiny.

178
00:09:09,758 --> 00:09:11,259
In a good way.

179
00:09:12,635 --> 00:09:16,723
Has anyone ever come up to
you and said, "you're not creative"?

180
00:09:17,599 --> 00:09:18,641
Yes.

181
00:09:18,725 --> 00:09:21,394
Well, they're wrong.
You are creative.

182
00:09:21,478 --> 00:09:24,397
You are damn creative,
each and every one of you.

183
00:09:24,481 --> 00:09:26,691
You are so much more creative

184
00:09:26,775 --> 00:09:30,487
than all of the other dry, boring
morons that you work with.

185
00:09:31,696 --> 00:09:33,156
Who are you talking to,
specifically?

186
00:09:33,323 --> 00:09:36,868
I kind of know what it's
like to be in commercials.

187
00:09:36,951 --> 00:09:40,371
My nickname in high school
used to be kool-aid man.

188
00:09:42,624 --> 00:09:45,061
When I was younger I always
wanted to be an actor in commercials,

189
00:09:45,085 --> 00:09:47,003
then I realized I had a brain.

190
00:09:47,295 --> 00:09:51,174
I'm excited about doing the ad, but
I'm not really used to doing videos

191
00:09:51,257 --> 00:09:53,259
with so many people around.

192
00:09:53,760 --> 00:09:56,304
We have three scenes
to film, big scenes.

193
00:09:56,387 --> 00:09:58,515
We have a song to write,
so let's get cracking.

194
00:09:58,598 --> 00:10:00,475
Kelly, I want you to do makeup.

195
00:10:00,558 --> 00:10:04,437
Oscar, I would like you to
do costume design, obviously.

196
00:10:04,521 --> 00:10:06,040
Phyllis, I'd like you
to look around town

197
00:10:06,064 --> 00:10:09,192
and see if we have any
celebrities in our local area.

198
00:10:09,359 --> 00:10:10,360
(Gasps)

199
00:10:10,443 --> 00:10:12,195
Sue grafton is at
the steamtown mall.

200
00:10:12,278 --> 00:10:13,822
She's doing a book
signing right now.

201
00:10:13,905 --> 00:10:15,758
Okay, okay. Phyllis, this
is what I want you to do.

202
00:10:15,782 --> 00:10:18,827
I want you to go down to the
mall. I want you to get in line.

203
00:10:18,910 --> 00:10:21,996
I want you to get her
to be in this commercial.

204
00:10:23,123 --> 00:10:26,626
This would be a huge
coup, people. All right?

205
00:10:26,709 --> 00:10:28,878
Do not take no for
an answer. Okay.

206
00:10:28,962 --> 00:10:31,172
Does anyone actually know
what sue grafton lookshke?

207
00:10:31,256 --> 00:10:32,549
I mean is she hot, or...

208
00:10:32,632 --> 00:10:34,300
She's crazy hot.

209
00:10:34,384 --> 00:10:37,929
Well, then maybe we should just
use Angela and say she's sue grafton.

210
00:10:38,012 --> 00:10:39,180
Would anyone notice?

211
00:10:39,264 --> 00:10:40,306
That's not happening.

212
00:10:40,598 --> 00:10:43,184
I find the mystery
genre disgusting.

213
00:10:43,434 --> 00:10:45,311
I hate being titillated.

214
00:10:45,770 --> 00:10:46,813
Bye, everyone.

215
00:10:46,896 --> 00:10:48,296
Light it up, Phyllis.
Get her, phyl.

216
00:10:57,323 --> 00:11:00,243
(Singing)
Out of paper, out of stock

217
00:11:00,326 --> 00:11:03,371
those friendly faces
around the block

218
00:11:03,454 --> 00:11:05,748
break loose from the chains

219
00:11:05,832 --> 00:11:08,042
that are causing you pain

220
00:11:08,126 --> 00:11:11,296
(all singing) Call Michael
and Stanley, Jim, Dwight, creed

221
00:11:11,379 --> 00:11:14,757
call Andy and Kelly
for your business paper needs

222
00:11:14,841 --> 00:11:16,217
dunder Mifflin

223
00:11:16,301 --> 00:11:17,969
all: The people person's
paper people

224
00:11:18,052 --> 00:11:19,345
dunder Mifflin

225
00:11:19,429 --> 00:11:20,709
the people person's paper people

226
00:11:20,763 --> 00:11:23,975
time out. Time out.
Time out. I thought...

227
00:11:24,058 --> 00:11:27,770
I was under the impression
that this was going to be a rap.

228
00:11:27,979 --> 00:11:29,147
What's rap?

229
00:11:29,522 --> 00:11:31,691
Okay, Darryl, wow.

230
00:11:31,774 --> 00:11:33,614
You need to learn a lot
about your own culture.

231
00:11:33,693 --> 00:11:34,819
I'll make you a mix.

232
00:11:34,903 --> 00:11:36,196
Great.

233
00:11:40,992 --> 00:11:45,997
News flash. I got some juicy
updates on operation fallen angel.

234
00:11:46,623 --> 00:11:48,750
Remind me to tell you later.

235
00:11:54,422 --> 00:11:55,506
Hey.

236
00:11:55,590 --> 00:11:57,342
No talk. I'm animating.

237
00:11:57,425 --> 00:11:59,802
Why don't we take a quick
10-second break from that

238
00:11:59,886 --> 00:12:01,763
so I can show you
what's going on here.

239
00:12:01,888 --> 00:12:05,516
Okay, this is Dwight's second
life. He's on it all the time.

240
00:12:06,017 --> 00:12:09,562
So much so that his little guy
here has created his own world.

241
00:12:09,646 --> 00:12:11,272
It's called second second life

242
00:12:11,356 --> 00:12:14,317
for those people who want to be
removed even further from reality.

243
00:12:14,400 --> 00:12:15,693
Yeah. Are you serious?

244
00:12:15,777 --> 00:12:18,112
Oh, my god. He's really in pain.

245
00:12:18,988 --> 00:12:20,156
Who's that?

246
00:12:20,240 --> 00:12:22,742
Oh, it's just my
avatar guy. Whatever.

247
00:12:22,825 --> 00:12:24,827
He looks a lot like you.

248
00:12:25,245 --> 00:12:27,163
Yeah. How much time
did you spend on that?

249
00:12:27,247 --> 00:12:30,541
Not much. It's just for
tracking Dwight, so...

250
00:12:30,625 --> 00:12:33,670
Right. You're a sports
writer in Philadelphia?

251
00:12:34,462 --> 00:12:36,089
Nice build, too.

252
00:12:37,924 --> 00:12:39,592
You have a guitar
slung on your back.

253
00:12:39,676 --> 00:12:41,761
I did not know
you played guitar.

254
00:12:45,181 --> 00:12:47,767
Why don't we go
backtotheanhnaflon? No, no, no.

255
00:12:47,850 --> 00:12:49,620
I want to see more of Philly
Jim. No, show me how this...

256
00:12:49,644 --> 00:12:50,770
I want Philly Jim.

257
00:12:50,853 --> 00:12:52,063
Show me how this works.

258
00:12:52,146 --> 00:12:53,273
Oh, boy.

259
00:12:59,362 --> 00:13:02,657
(Singing) Out of
paper, out of stock

260
00:13:02,907 --> 00:13:07,161
those friendly faces
around the block

261
00:13:07,245 --> 00:13:09,289
break loose from the chains

262
00:13:09,372 --> 00:13:11,874
that are causing you pain

263
00:13:11,958 --> 00:13:14,043
call Michael, Stanley,
Jim, Dwight and creed

264
00:13:14,127 --> 00:13:16,296
call Andy and Kelly
for your business paper needs

265
00:13:16,379 --> 00:13:18,673
call dunder Mifflin

266
00:13:18,756 --> 00:13:21,175
(all singing) People
person's paper people

267
00:13:21,259 --> 00:13:23,094
dunder Mifflin

268
00:13:23,177 --> 00:13:24,405
it's the people
person's paper people

269
00:13:24,429 --> 00:13:26,889
stop, stop, stop.

270
00:13:27,181 --> 00:13:29,976
This is not me. This is
not... it's not my music.

271
00:13:30,059 --> 00:13:32,812
You're right. It's
better than you. It's us.

272
00:13:32,895 --> 00:13:34,814
Dunder Mifflin

273
00:13:34,897 --> 00:13:36,000
the people person's paper people

274
00:13:36,024 --> 00:13:38,109
no, no, no. I
hate it! I hate it.

275
00:13:39,610 --> 00:13:43,489
I don't hate it. I just don't
like it at all, and it's terrible.

276
00:13:45,950 --> 00:13:47,201
You're on your own, Mike.

277
00:13:47,285 --> 00:13:49,829
Okay, you know what?
Hold on, hold on, Darryl.

278
00:13:49,912 --> 00:13:51,456
You just said you hated it.

279
00:13:51,539 --> 00:13:54,042
You said you hated it.
I said I hate the style.

280
00:13:54,125 --> 00:13:57,378
(Singing) Break me off
a piece of that lumber tar

281
00:13:57,587 --> 00:13:58,880
snickers bar

282
00:13:58,963 --> 00:14:02,467
okay. Wow. Wow.
This looks terrible.

283
00:14:02,550 --> 00:14:04,153
(Singing) Break me off a
piece of that grey poupon

284
00:14:04,177 --> 00:14:06,763
Andy. Andy. This is a
pivotal scene in the ad.

285
00:14:06,846 --> 00:14:09,140
And if we don't get this,
if we don't nail it,

286
00:14:09,223 --> 00:14:11,642
we're gonna lose the
whole triumph of the moment.

287
00:14:11,726 --> 00:14:16,564
The triumph of the will. Now,
god, what? What, Phyllis?

288
00:14:16,647 --> 00:14:19,942
(Sobbing) Well, I got in line
to buy sue grafton's book

289
00:14:20,026 --> 00:14:21,361
and when it came to my turn,

290
00:14:21,444 --> 00:14:24,530
I asked her if she wanted to be in
the ad, and she said, "no, thank you."

291
00:14:24,614 --> 00:14:26,574
But I wasn't supposed
to take no for an answer...

292
00:14:26,657 --> 00:14:28,159
Attagirl. So I kept on asking,

293
00:14:28,242 --> 00:14:32,038
and they finally threw me out of
the store in front of all my friends.

294
00:14:32,330 --> 00:14:33,331
Okay. (Sniffling)

295
00:14:35,333 --> 00:14:37,710
Did you or did you
not get sue grafton?

296
00:14:37,794 --> 00:14:38,961
(Sobbing)

297
00:14:40,755 --> 00:14:43,049
Oh, you're...

298
00:14:43,132 --> 00:14:45,593
Can somebody give
her a tissue? Please?

299
00:14:48,513 --> 00:14:51,283
I hope you're not killing yourself on
this, because I'm sure it's good enough

300
00:14:51,307 --> 00:14:54,811
for Michael's ad that will
probably be seen by no one.

301
00:14:54,894 --> 00:14:57,605
Maybe. But it's not
good enough for me yet.

302
00:14:57,688 --> 00:14:59,607
Okay. Do you want me to stay?

303
00:14:59,690 --> 00:15:02,193
No, no, you can
go home. I'm good.

304
00:15:02,693 --> 00:15:06,280
Pam is staying late tonight
to achieve her dreams,

305
00:15:06,364 --> 00:15:08,491
so I'm pretty proud of her.

306
00:15:08,574 --> 00:15:09,843
Unfortunately,
she was my ride home.

307
00:15:09,867 --> 00:15:11,744
Meredith: You coming?

308
00:15:14,330 --> 00:15:16,290
Piss or get off the pot!

309
00:15:20,670 --> 00:15:22,130
(Telephone rings)

310
00:15:23,423 --> 00:15:24,590
Dunder Mifflin. This is Pam.

311
00:15:24,674 --> 00:15:26,551
Good morning.

312
00:15:29,929 --> 00:15:31,649
Yeah, I'm sorry. I
looked away for a second,

313
00:15:31,722 --> 00:15:33,975
and creed snatched
your hash browns.

314
00:15:34,058 --> 00:15:35,560
Thank you. You're welcome.

315
00:15:35,810 --> 00:15:38,271
I worked until about 2:45 am,

316
00:15:38,354 --> 00:15:41,858
and then I had to decide if I wanted
to spend the night with Michael

317
00:15:41,941 --> 00:15:46,279
editing in his office and Dwight
watching Michael edit in his office,

318
00:15:46,362 --> 00:15:48,739
or drive home and probably
fall asleep at the wheel

319
00:15:48,823 --> 00:15:50,158
and die in a fiery car wreck.

320
00:15:50,658 --> 00:15:53,411
I passed out on my
keyboard trying to decide.

321
00:15:55,455 --> 00:15:56,789
Let me pour you some bubbly,

322
00:15:56,873 --> 00:16:00,376
because somebody got to
a whole new level last night.

323
00:16:00,460 --> 00:16:02,044
Andy, I can't
hear this right now.

324
00:16:02,128 --> 00:16:03,880
No. No. No. This is good.

325
00:16:03,963 --> 00:16:05,524
You know how we haven't
really gotten anywhere

326
00:16:05,548 --> 00:16:07,717
that I want to get
to physically yet?

327
00:16:07,800 --> 00:16:11,012
Well, last night, that changed.

328
00:16:11,095 --> 00:16:14,515
We're making out. I'm
kissing her neck and her cheek

329
00:16:14,599 --> 00:16:18,144
and her ear lobe, and she's
not really kissing me back,

330
00:16:18,227 --> 00:16:21,898
but she closes her
eyes and she's like,

331
00:16:21,981 --> 00:16:25,026
"oh, d. Oh, d."

332
00:16:27,612 --> 00:16:29,822
She called you d?

333
00:16:30,323 --> 00:16:32,950
Yeah. D for Andy.

334
00:16:34,452 --> 00:16:36,162
Oh, d.

335
00:16:37,288 --> 00:16:38,414
Oh, d.

336
00:16:38,498 --> 00:16:40,374
Oh, d.

337
00:16:40,458 --> 00:16:42,710
Oh, d.

338
00:16:42,793 --> 00:16:44,962
Oh, d! Oh, d!

339
00:16:48,174 --> 00:16:50,635
Oh, d! Oh, d!

340
00:16:53,095 --> 00:16:57,808
Michael: I'm about to send
the ad to corporate. And it is sent.

341
00:16:59,644 --> 00:17:02,730
They'll probably watch
it right away. I would.

342
00:17:04,106 --> 00:17:05,191
Okay.

343
00:17:05,358 --> 00:17:06,734
(Dialing)

344
00:17:06,817 --> 00:17:08,653
(Phone rings)

345
00:17:09,612 --> 00:17:11,989
Pa m: Yes? Pam, please
clear my phone lines.

346
00:17:12,073 --> 00:17:13,241
Certainly.

347
00:17:13,324 --> 00:17:15,117
(Pam imita ting phone beep/ng)

348
00:17:17,161 --> 00:17:18,579
Okay, clear.

349
00:17:19,914 --> 00:17:21,916
They could call any second now.

350
00:17:25,586 --> 00:17:26,963
Oh, god.

351
00:17:29,006 --> 00:17:30,341
(Moans)

352
00:17:34,595 --> 00:17:36,097
I better call.

353
00:17:40,893 --> 00:17:42,979
Well, it's been tough.

354
00:17:43,062 --> 00:17:46,232
The geniuses at corporate
rejected my commercial,

355
00:17:46,315 --> 00:17:48,734
and tonight they are airing
the brain-dead version.

356
00:17:48,818 --> 00:17:50,861
So welcome one and all

357
00:17:51,279 --> 00:17:54,156
to the world premiere
of corporate crap fest.

358
00:17:56,450 --> 00:17:57,827
(Music playing)

359
00:18:03,499 --> 00:18:05,001
(All exclaim)

360
00:18:06,752 --> 00:18:08,129
(All applauding)

361
00:18:14,093 --> 00:18:15,219
Hey, seemed like a big hit.

362
00:18:15,303 --> 00:18:16,721
No. People are stupid.

363
00:18:16,804 --> 00:18:20,975
People like waving.
Waving sells, not art.

364
00:18:22,143 --> 00:18:25,438
The ad we made, our ad,
the real one,

365
00:18:25,521 --> 00:18:31,027
was full of humor and full of depth
and full of heart, and it was real.

366
00:18:32,486 --> 00:18:36,324
Hey, could you do me a favor?
Could you put that in the DVD player?

367
00:18:36,407 --> 00:18:38,284
Hey, everybody, I just
want to welcome you all

368
00:18:38,367 --> 00:18:42,246
to the premiere of the real
dunder Mifflin commercial.

369
00:18:42,330 --> 00:18:45,833
The Michael Scott
director's cut. Hope you like it.

370
00:18:48,753 --> 00:18:50,838
Michael: It all
starts with an idea.

371
00:18:52,256 --> 00:18:55,301
But you can never tell
where an idea will end up.

372
00:19:00,389 --> 00:19:02,266
Because ideas spread.

373
00:19:02,683 --> 00:19:04,477
They change, grow.

374
00:19:06,187 --> 00:19:08,481
They connect us with the world.

375
00:19:13,903 --> 00:19:17,156
And in a fast-moving world,

376
00:19:17,239 --> 00:19:20,117
where good news moves
at the speed of time,

377
00:19:26,123 --> 00:19:29,669
And bad news isn't
always what it seems.

378
00:19:41,514 --> 00:19:43,933
Because when push
comes to shove,

379
00:19:50,189 --> 00:19:52,400
We all deserve a second chance

380
00:19:57,029 --> 00:19:58,280
to score.

381
00:20:05,496 --> 00:20:09,625
Dunder Mifflin. Limitless
paper in a paperless world.

382
00:20:13,379 --> 00:20:14,797
(All applauding)

383
00:20:21,429 --> 00:20:23,723
Anhnafion all her,
by the way. Really?

384
00:20:23,806 --> 00:20:25,646
Yeah, I just thought...
The animation was cool.

385
00:20:25,725 --> 00:20:26,809
Thanks.

386
00:20:26,892 --> 00:20:29,478
Hey, listen, you ever been
on a motorcycle because...

387
00:20:29,562 --> 00:20:31,397
Michael, that was fun.

388
00:20:32,273 --> 00:20:33,733
That was fun.

389
00:20:34,442 --> 00:20:36,569
Next round of drinks
is on me, people.

390
00:20:36,652 --> 00:20:38,529
(All cheering)

391
00:20:41,073 --> 00:20:42,825
(Singing) Claude Van damme

392
00:20:45,578 --> 00:20:47,037
hair for men

393
00:20:47,413 --> 00:20:49,582
poison gas, nutrasweet

394
00:20:50,040 --> 00:20:52,209
it's got to rhyme with "piece."

395
00:20:52,293 --> 00:20:53,586
Fancy feast.

396
00:20:53,669 --> 00:20:56,422
(Singing) Break me off
a piece of that fancy feast

397
00:20:57,131 --> 00:20:59,341
it's the cat food. Nailed it.