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Hi, everybody, today I'm going to show you how you can throw this.

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To the.

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So one more time.

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Hi, everybody, thanks for stopping by and how I said the day.

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I'm going to show you how you can make your video cinematic.

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People always ask me why my videos is different, even that they have the same civilization and same

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camera and everything.

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It's just six steps.

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And today I'm going to show shoot all these steps.

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So check it out.

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Number one, frame rate, we can shoot to 24, 25, 30, 50, 60, 100, 120, 240 frames per second.

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There are so many frame rates that you can use for your videos but don't care about it.

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If you are not professional Hollywood filmmaker, it doesn't matter.

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What do you use?

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I am usually shooting to Fourcade 50 frames for full HD 50 frames.

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And why?

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Because when I shoot to 50 or 60 frames, I always can slow down.

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We deal when I want to slow it down.

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And when I ended up dead, I don't want to slow it down.

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I just put it to my 24 frame timeline in premier pro and everything look perfect.

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But if you would like to slow down the video, which you shoot it on 24 or 25 frames, you can slow

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it down because it looks horrible.

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I'm going to show you.

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Yeah.

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It's not good.

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So remember, try to shoot on 50 or 60 frames.

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Number two, composition and compositions are one of my favorite things to talk about because it's so

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important for filmmaking and also for photography.

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Maybe you are just starting out.

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Maybe you are a seasoned amateur.

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Maybe you pick up a camera every now and you are like heisted of professionals.

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Regardless, across the board compositions is so important.

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The leading lines that will lead you to the subject of the payoff of the video or using light in a certain

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way that it frames the subject using architecture and the world around you to make do with your pop

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up and stand out more.

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But the most important composition is the center of composition.

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It works every time and always.

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It looks so cool.

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No free details and depth of field in your video always pay attention on details because details are

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so important in every video and it's really easy.

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Just come closer to the subject and make some nice footage.

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If you are using the OR camera for shooting your videos, always try to have your lens on the minimum

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of focus depth like one point four, one point eight or two point eight, because in that case your

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video will have beautiful, shallow depth of field.

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This is when I focus one point eight, and this is when I have my focus on five point six.

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And as you can see, that's totally different.

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And if you are using your smartphone for shooting, you need to go closer to the subject or you need

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to download application, which is called Filmic Pro.

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And about this application, I will talk in next to video number for stabilization.

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So important thing in filmmaking is stabilization.

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As you can see, this is video with stabilization and this is way out.

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In last video, I showed you how to balance the stabilization and how to work with that.

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If you are interested about any stabilization for your camera or for your smartphone.

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I will tell you which one is the best but more expensive and which one is also cool with similar functions,

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but much more cheaper if you are using smartphone.

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Definitely you need to buy digital or small mobile.

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There are free versions of the Kimbal Ozma one a.m., two a.m. free.

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Of course, the cheapest is the ultimate one, but it's too old and it's not a good idea to buy it.

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But if you are going to buy the higher number of days, I recommend you number two, because it got

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similar functions, but the price is fifty dollars cheaper.

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But it's up to you.

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But if you would like to buy some stabilization for Audioslave and also if you have money for that,

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also you have to buy DGI.

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There are two ways of stabilisation, DiGirolamo or Dejour on an unless I am using the Jeron, which

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is really cool for shooting commercial sports and music videos because you can put on it so many assistants

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like microphone, external recorder and so on.

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And also it looks really cool, but there is one thing, it's really heavy.

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So if you don't want to be like musclemen, you should buy the GI s, but it cost around eight hundred

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dollars.

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So if you like to buy something cheaper you can buy.

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I don't know if I really tried Zune Corail, which cost around four hundred dollars and it also got

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the same functions as the DGI.

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I also use this one because it's sort of great for traveling around the world and you can just put it

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to your back.

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And here we go.

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Number five, Silber's in previous four steps, I was talking about technical camera aspects, but now

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I will talk about how to make video cinematic in postproduction first thing first before we do need

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the same bars.

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As you can see, this is we do this and this is without.

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Hmm.

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Yeah, that's better.

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And how you can get it.

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Just go to the Google type in cinematic baros that being downloaded to your computer and then just drag

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it on the top of the timeline, put it to the start and then just stretch it to the end of the clip.

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It's easy, right?

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And it looks cool.

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No.6 cartographic.

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All right.

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So open up your premier pro, then just take this clip like simple.

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Drag it to your timeline.

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Yeah.

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To shoot it to forget.

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And the timeline is for full HD.

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So I just click on the clip, go to the controls and just put it fifty percent.

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Because I would like to have it full HD.

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All right, then just go to that window, then click to look at Recarve and then it's right over here.

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So just stretch it deep.

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Yes, it is, then click on the creative.

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But you need to click on a clip.

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Yeah, now you can see it and then click on these old brose and find your Lutts that I give you and

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you need to just find it.

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Click on it.

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And here we go.

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Here is the intensity, you can put it to 200 or to zero, but around 100, it's great.

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Maybe if you are not shooting to lock, you can just have like 50 percent of intensity.

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All right, then go to basic correction.

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All right.

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Here we have the temperature and so long.

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And now here you can see the image is really dark.

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So we need to put the shadows up.

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Yes.

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Like this.

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And then a little bit of contrast and highlights a little bit down because the background is shining

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then black like minus five, 10.

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Saturation around 110.

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And temperature, this is like super warm, so I would like to have it a little bit colder, so I put

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minus 10.

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And tind just plus five.

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So this is it, it's done.

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And if you are done, you just go to the controls and here you can see the recorder, you can just copy

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this color correction and then just find another footage.

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Yes, I mean, and this one is great.

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Put it to.

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Timeline, again, 50 persons of scale.

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Yeah, and just click on the clip and go to the controls and based the color grading, as you can see,

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it's like really shining.

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So we just put down the highlights and this is and this is it.

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It's done.

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You can put it to you.

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All clips that you have in your timeline.

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And this is super easy, even if you have this Lutts, which is sometimes really hard to find out.

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And also it's not cheap.

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Usually if you buy a lot back, it's around one hundred dollars.

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Remember when you start shooting footage to turn your phone horizontally for a wide cinematic look,

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unless you are shooting a video to be featured on something like Instagram stories and you can leave

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your home during a radical, but otherwise horizontal is the way to go before we start filming.

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We need to set up our film app to get the best results.

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And as a rule of thumb, going forward, before you hit the record, always double check your settings.

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You don't want to ruin perfect shot because your camera was not set up purposely.

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First, we will want to set our color profile and adjust our white balloons on the top of the menu we

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can find to control for white balloons, like most of the cameras, we can set it manually depending

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on available lighting and subject matter.

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Or we can click on WB to had to adjust it out.

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Great.

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Next, choose the look on a profile from second menu option, like we've been talking about earlier

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this month, is really special.

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And that's why I use this ad for shooting, because this give us a nice flat image to work with, because

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then in principle you can calibrate it and it looks totally different and it looks so great, different

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or out of options here.

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You can also adjust the saturation and why burns manually.

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Whatever you do, be sure that you are not too overexposed or underexposed.

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Your image to lie or to a dark.

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Let's go over some of the basics of the filmmaker, Eppes controls the circle reticle in the middle

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of the screen, lets you control explosion of your image, track the circle overhead image until the

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exposure is just right and the subject of your image even live, unless you are purposely lighting for

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darkness to square it controls focus on this critical over the point of focus to focus your image,

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look and look either of their radicals into place and avoid them shifting while filming by taping them

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and turning them red.

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Red means locked.

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If you want to just and look at it, just step on that again.

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The bottom center of the screen, you are able to see a H you d display for your time called counter

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battery life, storage space, ideal level FBA settings and video settings.

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To begin our recording, you can click the record button found in the lower right of the screen and

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it will turn red while recording in the progress to view any of your recordings, trim them, make small

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adjustments or to transfer files to another device.

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Just click that firmly collaborate button located at the bottom right beside the record button.

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It resembles a small play button.

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Back in the settings menu, let's click on the resolution option and the set our resolution, and we

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would like to record the sixteen point nine and four game.

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Nic, set up the frame rate you can use 24, 25, 30, 48, 50 or 60 frame.

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And as I told you, try always to use for 50 or 60 frames.

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Next, go to the device and turn the settings on if you want to save the footage to your smartphone.

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Now, if everything is set up, we need to save it.

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As Prasit Because you don't want to do this setting every time when you open up this app.

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So let's go to the settings presets and create your preset, your preset and save it.

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Let's take a look at some of the more advanced controls within this app due to lazed manual sliders

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within the app, that and hold on either reticle or you can swipe in from decides to close them just

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way back out to go into full manual mode.

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Click the icon located in the bottom left next to the image button.

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This looks both radicals and pull us up the manual slider for full manual control.

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Slider on the right allows you to manually adjust focused with buildOn peaking for perfect focus and

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adjust your resume manually as well.

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All right, guys, thank you so much for watching.

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I hope that you enjoyed these videos and see you in other video.