Hi, everybody, today I'm going to show you how you can throw this.
To the.
So one more time.
Hi, everybody, thanks for stopping by and how I said the day.
I'm going to show you how you can make your video cinematic.
People always ask me why my videos is different, even that they have the same civilization and same
camera and everything.
It's just six steps.
And today I'm going to show shoot all these steps.
So check it out.
Number one, frame rate, we can shoot to 24, 25, 30, 50, 60, 100, 120, 240 frames per second.
There are so many frame rates that you can use for your videos but don't care about it.
If you are not professional Hollywood filmmaker, it doesn't matter.
What do you use?
I am usually shooting to Fourcade 50 frames for full HD 50 frames.
And why?
Because when I shoot to 50 or 60 frames, I always can slow down.
We deal when I want to slow it down.
And when I ended up dead, I don't want to slow it down.
I just put it to my 24 frame timeline in premier pro and everything look perfect.
But if you would like to slow down the video, which you shoot it on 24 or 25 frames, you can slow
it down because it looks horrible.
I'm going to show you.
Yeah.
It's not good.
So remember, try to shoot on 50 or 60 frames.
Number two, composition and compositions are one of my favorite things to talk about because it's so
important for filmmaking and also for photography.
Maybe you are just starting out.
Maybe you are a seasoned amateur.
Maybe you pick up a camera every now and you are like heisted of professionals.
Regardless, across the board compositions is so important.
The leading lines that will lead you to the subject of the payoff of the video or using light in a certain
way that it frames the subject using architecture and the world around you to make do with your pop
up and stand out more.
But the most important composition is the center of composition.
It works every time and always.
It looks so cool.
No free details and depth of field in your video always pay attention on details because details are
so important in every video and it's really easy.
Just come closer to the subject and make some nice footage.
If you are using the OR camera for shooting your videos, always try to have your lens on the minimum
of focus depth like one point four, one point eight or two point eight, because in that case your
video will have beautiful, shallow depth of field.
This is when I focus one point eight, and this is when I have my focus on five point six.
And as you can see, that's totally different.
And if you are using your smartphone for shooting, you need to go closer to the subject or you need
to download application, which is called Filmic Pro.
And about this application, I will talk in next to video number for stabilization.
So important thing in filmmaking is stabilization.
As you can see, this is video with stabilization and this is way out.
In last video, I showed you how to balance the stabilization and how to work with that.
If you are interested about any stabilization for your camera or for your smartphone.
I will tell you which one is the best but more expensive and which one is also cool with similar functions,
but much more cheaper if you are using smartphone.
Definitely you need to buy digital or small mobile.
There are free versions of the Kimbal Ozma one a.m., two a.m. free.
Of course, the cheapest is the ultimate one, but it's too old and it's not a good idea to buy it.
But if you are going to buy the higher number of days, I recommend you number two, because it got
similar functions, but the price is fifty dollars cheaper.
But it's up to you.
But if you would like to buy some stabilization for Audioslave and also if you have money for that,
also you have to buy DGI.
There are two ways of stabilisation, DiGirolamo or Dejour on an unless I am using the Jeron, which
is really cool for shooting commercial sports and music videos because you can put on it so many assistants
like microphone, external recorder and so on.
And also it looks really cool, but there is one thing, it's really heavy.
So if you don't want to be like musclemen, you should buy the GI s, but it cost around eight hundred
dollars.
So if you like to buy something cheaper you can buy.
I don't know if I really tried Zune Corail, which cost around four hundred dollars and it also got
the same functions as the DGI.
I also use this one because it's sort of great for traveling around the world and you can just put it
to your back.
And here we go.
Number five, Silber's in previous four steps, I was talking about technical camera aspects, but now
I will talk about how to make video cinematic in postproduction first thing first before we do need
the same bars.
As you can see, this is we do this and this is without.
Hmm.
Yeah, that's better.
And how you can get it.
Just go to the Google type in cinematic baros that being downloaded to your computer and then just drag
it on the top of the timeline, put it to the start and then just stretch it to the end of the clip.
It's easy, right?
And it looks cool.
No.6 cartographic.
All right.
So open up your premier pro, then just take this clip like simple.
Drag it to your timeline.
Yeah.
To shoot it to forget.
And the timeline is for full HD.
So I just click on the clip, go to the controls and just put it fifty percent.
Because I would like to have it full HD.
All right, then just go to that window, then click to look at Recarve and then it's right over here.
So just stretch it deep.
Yes, it is, then click on the creative.
But you need to click on a clip.
Yeah, now you can see it and then click on these old brose and find your Lutts that I give you and
you need to just find it.
Click on it.
And here we go.
Here is the intensity, you can put it to 200 or to zero, but around 100, it's great.
Maybe if you are not shooting to lock, you can just have like 50 percent of intensity.
All right, then go to basic correction.
All right.
Here we have the temperature and so long.
And now here you can see the image is really dark.
So we need to put the shadows up.
Yes.
Like this.
And then a little bit of contrast and highlights a little bit down because the background is shining
then black like minus five, 10.
Saturation around 110.
And temperature, this is like super warm, so I would like to have it a little bit colder, so I put
minus 10.
And tind just plus five.
So this is it, it's done.
And if you are done, you just go to the controls and here you can see the recorder, you can just copy
this color correction and then just find another footage.
Yes, I mean, and this one is great.
Put it to.
Timeline, again, 50 persons of scale.
Yeah, and just click on the clip and go to the controls and based the color grading, as you can see,
it's like really shining.
So we just put down the highlights and this is and this is it.
It's done.
You can put it to you.
All clips that you have in your timeline.
And this is super easy, even if you have this Lutts, which is sometimes really hard to find out.
And also it's not cheap.
Usually if you buy a lot back, it's around one hundred dollars.
Remember when you start shooting footage to turn your phone horizontally for a wide cinematic look,
unless you are shooting a video to be featured on something like Instagram stories and you can leave
your home during a radical, but otherwise horizontal is the way to go before we start filming.
We need to set up our film app to get the best results.
And as a rule of thumb, going forward, before you hit the record, always double check your settings.
You don't want to ruin perfect shot because your camera was not set up purposely.
First, we will want to set our color profile and adjust our white balloons on the top of the menu we
can find to control for white balloons, like most of the cameras, we can set it manually depending
on available lighting and subject matter.
Or we can click on WB to had to adjust it out.
Great.
Next, choose the look on a profile from second menu option, like we've been talking about earlier
this month, is really special.
And that's why I use this ad for shooting, because this give us a nice flat image to work with, because
then in principle you can calibrate it and it looks totally different and it looks so great, different
or out of options here.
You can also adjust the saturation and why burns manually.
Whatever you do, be sure that you are not too overexposed or underexposed.
Your image to lie or to a dark.
Let's go over some of the basics of the filmmaker, Eppes controls the circle reticle in the middle
of the screen, lets you control explosion of your image, track the circle overhead image until the
exposure is just right and the subject of your image even live, unless you are purposely lighting for
darkness to square it controls focus on this critical over the point of focus to focus your image,
look and look either of their radicals into place and avoid them shifting while filming by taping them
and turning them red.
Red means locked.
If you want to just and look at it, just step on that again.
The bottom center of the screen, you are able to see a H you d display for your time called counter
battery life, storage space, ideal level FBA settings and video settings.
To begin our recording, you can click the record button found in the lower right of the screen and
it will turn red while recording in the progress to view any of your recordings, trim them, make small
adjustments or to transfer files to another device.
Just click that firmly collaborate button located at the bottom right beside the record button.
It resembles a small play button.
Back in the settings menu, let's click on the resolution option and the set our resolution, and we
would like to record the sixteen point nine and four game.
Nic, set up the frame rate you can use 24, 25, 30, 48, 50 or 60 frame.
And as I told you, try always to use for 50 or 60 frames.
Next, go to the device and turn the settings on if you want to save the footage to your smartphone.
Now, if everything is set up, we need to save it.
As Prasit Because you don't want to do this setting every time when you open up this app.
So let's go to the settings presets and create your preset, your preset and save it.
Let's take a look at some of the more advanced controls within this app due to lazed manual sliders
within the app, that and hold on either reticle or you can swipe in from decides to close them just
way back out to go into full manual mode.
Click the icon located in the bottom left next to the image button.
This looks both radicals and pull us up the manual slider for full manual control.
Slider on the right allows you to manually adjust focused with buildOn peaking for perfect focus and
adjust your resume manually as well.
All right, guys, thank you so much for watching.
I hope that you enjoyed these videos and see you in other video.