1 00:00:04,380 --> 00:00:05,250 ‫Hello and welcome. 2 00:00:05,250 --> 00:00:08,460 ‫In this lecture, we're going to be polishing off this level. 3 00:00:08,460 --> 00:00:13,560 ‫We're going to get it to the point where we can drop the gargoyle statue. 4 00:00:13,560 --> 00:00:20,790 ‫We can go through into our new area and make it so that when we're in the mausoleum, we've got a gate 5 00:00:20,790 --> 00:00:22,200 ‫over there, we've got a statue here. 6 00:00:22,200 --> 00:00:28,230 ‫If we take the statue from its podium, the gate shuts and we can't get out in time. 7 00:00:28,230 --> 00:00:30,960 ‫And we need to find something else to put on the podium. 8 00:00:30,960 --> 00:00:38,490 ‫Let's dive in and see how we achieve all this so we attend to implementing this final puzzle in the 9 00:00:38,490 --> 00:00:39,390 ‫crypt. 10 00:00:39,390 --> 00:00:46,440 ‫So what we're going to do here is I'm going to place a podium in the center with a statue on it, and 11 00:00:46,440 --> 00:00:52,290 ‫I'm going to put a railing or a gate above that can come down if you take the statue off. 12 00:00:52,290 --> 00:00:58,560 ‫So if I look in medieval dungeon meshes and props, there is the hooded metal golden statue and the 13 00:00:58,560 --> 00:01:01,290 ‫statue stand, which I'm going to be using both. 14 00:01:01,290 --> 00:01:04,290 ‫So let's go ahead and bring the statue stand in. 15 00:01:04,290 --> 00:01:10,860 ‫First, we can go into the full by four view to make sure I am positioning it roughly in the center 16 00:01:10,890 --> 00:01:11,440 ‫that I'll do. 17 00:01:11,460 --> 00:01:15,480 ‫And then let's bring in the hooded metal statue, you'll notice. 18 00:01:15,480 --> 00:01:20,070 ‫Absolutely teeny tiny goodness me, that's absolutely minuscule. 19 00:01:20,070 --> 00:01:24,780 ‫So what we're going to have to do is we're going to have to increase its scale. 20 00:01:24,780 --> 00:01:28,440 ‫I'm just going to hit the lock button next the scale to make it all go together. 21 00:01:28,440 --> 00:01:30,150 ‫Let's try ten times bigger. 22 00:01:30,180 --> 00:01:30,930 ‫That's a bit large. 23 00:01:30,930 --> 00:01:34,020 ‫Maybe about six times bigger is good for this statue. 24 00:01:34,020 --> 00:01:38,670 ‫And let's place him on the statue's pedestal and rotate him around. 25 00:01:38,670 --> 00:01:41,010 ‫Now you'll notice the scene keeps going dark. 26 00:01:41,010 --> 00:01:47,430 ‫Now, this is because of the exposure compensation method that's being used in the scene. 27 00:01:47,430 --> 00:01:52,680 ‫To change that, we need to go to our add actor quickly. 28 00:01:52,680 --> 00:01:57,810 ‫Add basically go to volumes and we're going to look for. 29 00:01:58,680 --> 00:02:01,050 ‫The post processing volume. 30 00:02:01,050 --> 00:02:07,680 ‫I'm going to put that in the scene, right click on it, and I'm going to move it to the global folder 31 00:02:07,680 --> 00:02:09,030 ‫and then selecting the actor. 32 00:02:09,030 --> 00:02:14,910 ‫We're going to go into the details pane, going to go to the exposure setting and we're going to check 33 00:02:14,910 --> 00:02:22,050 ‫metering mode here and change the metering mode from auto exposure histogram to auto exposure basic. 34 00:02:22,290 --> 00:02:25,380 ‫And you can see this volume is actually quite a small block. 35 00:02:25,380 --> 00:02:32,220 ‫What we can do is we can increase the size of this volume so that it applies to the whole area. 36 00:02:32,220 --> 00:02:33,780 ‫So let's reposition it. 37 00:02:33,810 --> 00:02:38,400 ‫Scroll down to the brush settings at the bottom where there is the X, Y and Z sizes. 38 00:02:38,410 --> 00:02:41,220 ‫We can increase these and be a little bit generous. 39 00:02:41,220 --> 00:02:46,110 ‫So we just want to include everywhere our player can go in our level like so. 40 00:02:46,110 --> 00:02:51,480 ‫And now you can see the lighting is instantly getting better and we are not having this problem where 41 00:02:51,480 --> 00:02:55,350 ‫if we're looking away from a light, everything gets really, really dark. 42 00:02:55,350 --> 00:03:02,040 ‫So let's open up the content draw again because I want to bring in something from the architecture folder 43 00:03:02,040 --> 00:03:03,330 ‫in the dungeon. 44 00:03:03,330 --> 00:03:05,760 ‫I want the cell side mesh. 45 00:03:05,760 --> 00:03:10,830 ‫So let's bring that in to our level to try and position that near the door. 46 00:03:10,830 --> 00:03:15,990 ‫And I'm just going to take note of how high up it needs to be for it to be out of the way. 47 00:03:15,990 --> 00:03:25,770 ‫So at the moment, the Z position is -440, and if I position it at zero zero, that is out of the way. 48 00:03:25,770 --> 00:03:32,250 ‫So what I'm going to do is I'm going to position it down on the floor and I'm going to add a mover component 49 00:03:32,250 --> 00:03:38,730 ‫and its offset should be positive for 14 because if you think about it, the statue is in the trigger 50 00:03:38,730 --> 00:03:40,170 ‫zone or will be. 51 00:03:40,290 --> 00:03:43,980 ‫And when it's in the trigger zone, we want it to lift up by 440. 52 00:03:43,980 --> 00:03:48,900 ‫When we remove the statue, it's going to go down by 4 to 40 and lock off the area. 53 00:03:48,900 --> 00:03:51,960 ‫So the statue needs some collision properties setting up. 54 00:03:51,960 --> 00:03:54,120 ‫So we'll go to down to the collision presets. 55 00:03:54,120 --> 00:04:03,330 ‫We're going to go to custom and we want the grabber to block this particular object because we want 56 00:04:03,330 --> 00:04:04,920 ‫to be able to grab hold of it. 57 00:04:04,920 --> 00:04:11,190 ‫And if we go down to the pawn, we want the pawn to be ignored by this particular object so that we 58 00:04:11,190 --> 00:04:12,270 ‫don't collide with it. 59 00:04:12,270 --> 00:04:18,540 ‫And we're going to need it to generate overlap events as well because we need it to overlap with our 60 00:04:18,540 --> 00:04:19,260 ‫trigger. 61 00:04:19,260 --> 00:04:21,390 ‫Talking of trigger, we don't have that yet. 62 00:04:21,390 --> 00:04:29,280 ‫So let's select our statue stand and let's add to that a trigger component like so. 63 00:04:29,280 --> 00:04:37,170 ‫And then let's reposition that trigger so that it encompasses the statue and then let's add an acceptable 64 00:04:37,170 --> 00:04:45,780 ‫tag which is going to be unlock two for me and let's select the statue will go to its actor section 65 00:04:45,780 --> 00:04:52,200 ‫and add a tag which is going to have to match as unlock to let's maximize this viewport. 66 00:04:52,200 --> 00:04:58,320 ‫And now what we need to do is make that link between the trigger and the mover. 67 00:04:58,320 --> 00:05:02,010 ‫And we're going to do this in the level blueprint because we've set this up in the level. 68 00:05:02,010 --> 00:05:05,100 ‫These actors aren't connected to each other in any other way. 69 00:05:05,100 --> 00:05:10,770 ‫So we're going to go to the blueprint button, go open level blueprint, and then making sure we've 70 00:05:10,770 --> 00:05:12,600 ‫got our statue stand selected. 71 00:05:12,600 --> 00:05:17,370 ‫We're going to go pull off of Begin Play or rather we're going to click in the scene and add a create 72 00:05:17,400 --> 00:05:18,360 ‫reference to the statue. 73 00:05:18,360 --> 00:05:19,680 ‫Stand from this. 74 00:05:19,680 --> 00:05:21,480 ‫We need to get that trigger component. 75 00:05:21,480 --> 00:05:25,470 ‫So we're going to do a get component by class. 76 00:05:26,360 --> 00:05:31,070 ‫And we're going to select the class to be the trigger component. 77 00:05:31,070 --> 00:05:33,230 ‫So we've got a trigger component class here. 78 00:05:33,260 --> 00:05:37,340 ‫Then the other part of the puzzle is to go and select our. 79 00:05:38,310 --> 00:05:43,530 ‫Sell actor and having that selected, we're going to go into the dungeon level. 80 00:05:43,530 --> 00:05:46,890 ‫We're going to right click and create a reference to the cell actor. 81 00:05:46,890 --> 00:05:51,570 ‫And then using that cell, we're going to again get component by class. 82 00:05:51,570 --> 00:05:54,180 ‫The class that we're looking for this time is the mover. 83 00:05:54,180 --> 00:06:03,120 ‫And then pulling off of our return value from the trigger component, we can call set mover and connect 84 00:06:03,120 --> 00:06:07,230 ‫up the mover pin and connect up the execution pin to begin play. 85 00:06:07,230 --> 00:06:11,730 ‫And the other thing we have to do is select the cell and we need to make it movable. 86 00:06:11,730 --> 00:06:15,870 ‫So if we go to general, we can select movable in there. 87 00:06:16,530 --> 00:06:20,250 ‫We probably need to do the same with our hooded statue that needs to be movable. 88 00:06:20,250 --> 00:06:21,150 ‫It already is. 89 00:06:21,150 --> 00:06:27,300 ‫Let's go ahead and hit play and you can see that the cell side has moved out of the way, has reached 90 00:06:27,300 --> 00:06:31,890 ‫up to the ceiling because our statue is in the trigger component. 91 00:06:31,890 --> 00:06:34,080 ‫But I can't pick the statue up. 92 00:06:34,080 --> 00:06:40,170 ‫And the reason for that is that it's currently being held onto by the trigger component and it's being 93 00:06:40,170 --> 00:06:42,660 ‫set to not simulate physics. 94 00:06:42,660 --> 00:06:47,280 ‫So we need to add that into our grabber. 95 00:06:47,280 --> 00:06:55,770 ‫CP So let's challenge you to activate this statue so that it is ready to move out of that trigger component. 96 00:06:55,770 --> 00:07:00,840 ‫To do that, you're going to need to set simulate physics on the hit component, you're going to set 97 00:07:00,840 --> 00:07:02,160 ‫it simulate physics to true. 98 00:07:02,430 --> 00:07:05,010 ‫You're also going to have to detach the actor. 99 00:07:05,010 --> 00:07:07,650 ‫So detach actor, detach from actor. 100 00:07:07,650 --> 00:07:12,960 ‫And you can see that just like we had attachment transform roles, we've got detachment transform roles 101 00:07:12,960 --> 00:07:13,590 ‫as well. 102 00:07:13,590 --> 00:07:17,610 ‫And for this one as well, we're going to be using Keep World Transform. 103 00:07:18,090 --> 00:07:23,550 ‫And then as a bonus, once you take that statue out of the trigger component, you're going to notice 104 00:07:23,550 --> 00:07:29,460 ‫that the gate doesn't automatically rise because we've currently got our mover working in only one direction. 105 00:07:29,460 --> 00:07:31,980 ‫So as a bonus, make it work both ways. 106 00:07:31,980 --> 00:07:37,020 ‫If you put something into the trigger volume, it moves to the goal and if you take it out, then it 107 00:07:37,020 --> 00:07:38,550 ‫moves back to start. 108 00:07:38,550 --> 00:07:40,740 ‫So pause a video and have a go. 109 00:07:43,780 --> 00:07:44,170 ‫Okay. 110 00:07:44,170 --> 00:07:45,130 ‫Welcome back. 111 00:07:45,550 --> 00:07:52,180 ‫So first of all, in the grab CP where we are grabbing things, we have got this way called rigid bodies 112 00:07:52,180 --> 00:07:53,410 ‫from the hit component. 113 00:07:53,410 --> 00:08:00,820 ‫Let's take that hit component and we're going to set simulate physics to true. 114 00:08:00,940 --> 00:08:04,660 ‫And then we've got this getting the actor here. 115 00:08:04,660 --> 00:08:07,810 ‫I'm going to put that into its own variable. 116 00:08:07,810 --> 00:08:16,990 ‫So a actor, star hit actor is equal to hit result get actor and then we can replace that. 117 00:08:16,990 --> 00:08:18,730 ‫So hit actor tags. 118 00:08:18,730 --> 00:08:22,390 ‫And then further down we're going to detach that actor as well. 119 00:08:22,390 --> 00:08:32,380 ‫So hit actor arrow detach from actor and then we're going to do an F detachment, transform rules, 120 00:08:32,380 --> 00:08:38,170 ‫colon, colon, keep world, transform a semicolon at the end of the line and let's recompile and see 121 00:08:38,170 --> 00:08:39,100 ‫if that works. 122 00:08:39,100 --> 00:08:43,060 ‫Let's go ahead and hit play and try and pick up our statue. 123 00:08:43,510 --> 00:08:46,750 ‫And this time it comes away just perfectly. 124 00:08:46,930 --> 00:08:50,440 ‫However, our gate doesn't close as it should do. 125 00:08:50,440 --> 00:08:53,350 ‫So how are we going to go ahead and make our gate close? 126 00:08:53,350 --> 00:08:56,050 ‫Let's see if we can put the statue back on the stand. 127 00:08:56,440 --> 00:08:59,650 ‫So let's stick it over here and there you go. 128 00:08:59,890 --> 00:09:05,200 ‫It stays there by itself because it gets automatically attached to the trigger component. 129 00:09:05,470 --> 00:09:10,850 ‫So for the move, a component of the challenge, the bonus, if we go and open up the mover, which 130 00:09:10,850 --> 00:09:16,660 ‫you can do with control P by the way, and search for mover and we can open up the move of CP, then 131 00:09:16,660 --> 00:09:20,350 ‫we can go down to where it's got if should move. 132 00:09:20,350 --> 00:09:26,230 ‫And you can see that essentially we want an alt statement here that sets the target location just to 133 00:09:26,230 --> 00:09:30,970 ‫the original location in in the alternative case. 134 00:09:31,450 --> 00:09:36,040 ‫And basically the rest of the code needs to run all the time to move to the location. 135 00:09:36,040 --> 00:09:43,090 ‫So let's take it all out of our if statement like so and fix up any indentation issues. 136 00:09:43,090 --> 00:09:45,760 ‫And essentially what we want is the target location. 137 00:09:46,210 --> 00:09:51,790 ‫We're going to set it to a default value before the if statement. 138 00:09:51,790 --> 00:09:55,900 ‫So the default value is going to be the original location. 139 00:09:55,900 --> 00:09:58,420 ‫I'm going to just cut out that move offset. 140 00:09:58,420 --> 00:10:01,900 ‫So what we've got is we set up a target location with the original location. 141 00:10:01,900 --> 00:10:06,160 ‫So by default, it's going to want to move back to its original location. 142 00:10:06,160 --> 00:10:13,420 ‫But if should move is true, then we need to update the target location to be equal to essentially the 143 00:10:13,420 --> 00:10:17,980 ‫original location plus the move offset. 144 00:10:17,980 --> 00:10:21,550 ‫So that takes us to essentially our goal location. 145 00:10:21,700 --> 00:10:24,850 ‫So then later on we can calculate the current location. 146 00:10:24,850 --> 00:10:27,910 ‫We do the distance and the speed calculation. 147 00:10:27,910 --> 00:10:33,070 ‫We do the V interpret constant to and we set the new active location. 148 00:10:33,070 --> 00:10:38,440 ‫And one more thing we need to do is change the way we calculate the speed, because here we are looking 149 00:10:38,440 --> 00:10:44,110 ‫for the difference between the original location and the target location, which when we set the target 150 00:10:44,110 --> 00:10:46,840 ‫location equal to the original location is going to be zero. 151 00:10:46,840 --> 00:10:48,670 ‫And so our speed is going to be zero. 152 00:10:48,670 --> 00:10:53,680 ‫So instead, well, we know the difference between the target location in an original location is actually 153 00:10:53,680 --> 00:10:56,320 ‫the length of the move offset. 154 00:10:56,320 --> 00:11:01,090 ‫So what we can do, instead of calculating the distance this way, which is always a bit wasteful, 155 00:11:01,090 --> 00:11:07,150 ‫is we can do a move offset dot length and divide that through by the move time. 156 00:11:07,150 --> 00:11:12,070 ‫So that's a need some parenthesis because it's a function move offset dot length parentheses divided 157 00:11:12,070 --> 00:11:13,090 ‫by the move time. 158 00:11:13,090 --> 00:11:14,830 ‫Let's recompile and try that out. 159 00:11:14,920 --> 00:11:21,150 ‫Go ahead and hit play, pick up our statue and you can see the gate goes to close. 160 00:11:21,160 --> 00:11:25,330 ‫I didn't quite let it open, so maybe we didn't see that it goes the whole way. 161 00:11:25,330 --> 00:11:29,920 ‫But if I drop the statue in its place, it lifts all the way up to the top. 162 00:11:30,400 --> 00:11:35,050 ‫Take the statue off and it goes all the way back down to the bottom. 163 00:11:35,050 --> 00:11:35,590 ‫Great stuff. 164 00:11:35,590 --> 00:11:43,300 ‫So now all that remains for me to do is add a little plot or something that we can take for the puzzle. 165 00:11:43,300 --> 00:11:50,440 ‫So I'm going to go into the meshes under the props and I find a little complete pot and put it by this 166 00:11:50,440 --> 00:11:52,960 ‫other door on the other side. 167 00:11:52,960 --> 00:11:56,980 ‫So there's a little bit of a challenge trying to find something we can put in the statue's place. 168 00:11:56,980 --> 00:12:02,230 ‫I'm going to set it to generate overlap events just like the statue, the collision presets we need 169 00:12:02,230 --> 00:12:04,150 ‫to set to custom. 170 00:12:04,900 --> 00:12:11,080 ‫We're going to change that so that the grabber can grab it, so put it to block and that it doesn't 171 00:12:11,080 --> 00:12:12,580 ‫overlap the pawn. 172 00:12:12,580 --> 00:12:18,520 ‫And we're going to go to the actor tags, add a tag for unlock two. 173 00:12:18,520 --> 00:12:22,780 ‫And then the final thing we need to go and do is set it to move a ball. 174 00:12:22,780 --> 00:12:25,390 ‫Let's go ahead and hit play and see if we can grab this pot. 175 00:12:25,390 --> 00:12:25,780 ‫Yep. 176 00:12:25,780 --> 00:12:26,920 ‫Looks like we can. 177 00:12:26,920 --> 00:12:30,490 ‫Let's go and take it through into this mausoleum area. 178 00:12:31,000 --> 00:12:37,810 ‫We can take off the statue, take our pot and stick it in its place. 179 00:12:38,380 --> 00:12:42,730 ‫And you can see that it opens up and we can take the statue and make a run for it. 180 00:12:43,280 --> 00:12:43,890 ‫At stake. 181 00:12:43,910 --> 00:12:51,500 ‫So in this lecture, we've tidied up the rest of our level and completed the game that involved making 182 00:12:51,500 --> 00:12:58,760 ‫a few code changes, including making the mover move back and allowing the grabber to detach things 183 00:12:58,760 --> 00:13:01,760 ‫that it picks up and set them to simulate physics. 184 00:13:01,790 --> 00:13:02,680 ‫Great stuff. 185 00:13:02,690 --> 00:13:04,520 ‫I'll see you in the next lecture.